| Presonus DigiMAX 96K Now with 96k sampling rate*, the DigiMAX is the newest member in the award winning family of Presonus mic preamp's. Combine eight channels of pristine mic preamplification with 24 simultaneous digital and analog outputs, and the DigiMAX 96k seamlessly fits into any digital recording situation. The DigiMAX 96k is the perfect front-end for DAW's as well as adding mic pre's to digital mixers and sound cards. A MIC PRE WITH HERITAGE We started with the same design as the MP20, M80 and VXP: Class A Discrete Input Buffers followed by a dual-servo gain stage giving you 60db of preamp gain with 52db of headroom. The DigiMAX 96k is electronically balanced and features phase reverse on the first two channels, as well as a 20dB pad and selectable 48v phantom power on each channel. A unique feature is EQ Enhance™ which contours the EQ curve -4dB centered at 1k from 250Hz to 5kHz. This is especially helpful on drum overheads and other sources to bring out definition and notch out problem frequencies. THE COMPRESSOR TRAPPED IN THE BODY OF A LIMITER What makes a limiter musical? Typically, most limiters use peak detection which actually clips the signal and can produce nasty artifacts. RMS detection, though commonly used with most compressors, has the drawback of not being fast enough to catch extremely fast transients. The DigiMAX 96k uses both RMS and Peak detection to give you the best of both worlds. The DigiMAX 96k uses an RMS style compressor with a high ratio while the peak portion is used only to protect the input of the A/D converter from clipping. The end result? Fast, musical, natural and able to catch anything you throw at it. CONNECTIVITY FOR DAYS The DigiMAX 96k features more I/O options than any mic pre on the planet! 8 XLR Mic Inputs + 2 ¼" Instrument Inputs. The outputs consist of 8 balanced TRS analog outputs plus a 24 bit ADAT™ lightpipe output AND (4) stereo RCA SPDIF Digital Ouputs (Unit ships in AES/EBU mode, breakout cable not included). And here's the best part… They all work simultaneously! The Ultimate Live Recording Preamp! Use the ADAT™ Lightpipe Outputs to feed your recorders digital inputs while you send an identical signal to a FOH Console via the TRS Analog Outputs. Bye, bye latency! Use the TRS analog outputs to monitor tracks while you send the Lightpipe to your soundcard or standalone computer interfaces like MOTU 2408 and Digi001. Mixer Beefer-Upper! Add high gain/low noise quality micpre's to your digital console using either Lightpipe, AES/EBU, SPDIF, or analog TRS outputs. Features: - 44.1, 48, 88.2 and 96kHz Sample Rates
- Ultra-Wide Dynamic Range
- Low-Noise Operating Levels
- Dual-Domain Limiter on Every Channel
- EQ Enhance on Every Channel
- -20dB Pad on Every Channel
- 48V Phantom Power on Every Channel
- Instrument Input on Channels One and Two
- Phase Reverse on Channels One and Two
- Eight 24-bit ADC Converters
- ADAT™ Lightpipe Output
- S/PDIF Outputs
- AES/EBU Outputs
- ¼" TRS Balanced Analog Outputs
- BNC Word Clock I/O for Sync
Technical Specifications: Input - Number of Channels:Eight
- Input Impedance, XLR Input:1.3k Ohms
- Input Impedance, ¼" Instrument Input:1M Ohms
- Connectors:Eight XLR, Two ¼" Instrument Inputs on Channel One and Two
Panel Controls - Gain:0dB to +40dB
- Limiter:0dB to Off
- Phase Reverse (Channel One and Two Only):On/Off
- EQ Enhance Button:On/Off
Meters - Signal Present LED:-20dBu
- Clip LED:+22dBu
- Limit LED:Limiter Active
Output - ¼" TRS Impedance Balanced:51 Ohms
- ADAT™ LightPipe Digital Optical:24-bit
- AES/EBU (4 Pair, Stereo):24-bit
- S/PDIF (4 Pair, Stereo):24-bit
Digital - Sampling Rates:44.1, 48, 88.2 and 96kHz
Performance - THD + Noise (Unweighted):0.009%
- Noise Floor:-94dBu
- Signal to Noise:>98dB
- Analog Dynamic Range:>120dB
- Power Supply Rejection:>98dB
- Amplifier Type:Dual Servo
Power Supply - Type:Linear, External
- Power:80 Watts
- Input:p100/120/220/240V AC (Factory Configured)
Physical - Size:1U Rack
- Dimensions:19" W x 1.75" H x 7" D
- Weight:15 lbs.
- Chassis:Steel
- Panel:Aluminum
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